First tries: street photography and push processing. Conclusion: I’m in love. With both. Oh but wait you might say, that’s not a good conclusion, dave–it’s a love triangle! You need a last chapter to resolve things! What do? To that I say nothing, only give a clue: I fidget with my shirt sleeve. Like I’m trying to get you to think that I’m trying to get you to think that there’s an ace there; probably no ace there, huh? But oh I may have an ace, yes I may have one where you never thought an ace would be. In my sock.

Anyways, next up: try pushing film that’s actually made to be pushed. I fear that good places for street photography may be hard to find up here–I need to figure something out to deal with this issue. Anchorage, maybe? That’s a long drive to take pictures.

End-note about street photography: man, I took a LOT of shots, and not many of them turned out nice. Like, this: there’s a reason this post only has two pictures. That bugs me. And it set off a little spark. I hate to let something get the best of me, especially an abstract thing like “street photography” (what DOES that mean, anyways?). No good.

Nitty gritty:
Body/lens: F3HP /e-series 35/2.5
1st shot: Ilford HP5+ @ 1600, Ilfosol 3 1+9, 19min, one inversion each minute with three 3min water baths (@6, 11, and 16 min)
2nd shot: Kodak Tri-X 400 @ 1600, Ilfosol 3 1+9, 15min, one inversion each minute with two 3min water baths (@6 and 11min)